- #PLURALEYES 4 TROUBLESHOOTING 1080P#
- #PLURALEYES 4 TROUBLESHOOTING PRO#
- #PLURALEYES 4 TROUBLESHOOTING SOFTWARE#
- #PLURALEYES 4 TROUBLESHOOTING TRIAL#
- #PLURALEYES 4 TROUBLESHOOTING ZIP#
Use a download manager A commonly experienced problem is getting disconnected and reconnected within a short time period, such as a second. Please download using a different Internet connection. Proxy problems If you are behind a proxy, you will likely experience problems. Browser troubleshooting (1) Clear your Internet cache and cookies, (2) switch to a different browser (Firefox, Safari, Chrome) and (3) download again. Hard-wire your Internet connection If you are wirelessly connected to the Internet, turn off your wireless and hard-wire your computer.
Most operating systems come with a built-in utility, you may also choose from the many free programs that are available.
#PLURALEYES 4 TROUBLESHOOTING SOFTWARE#
Ensure you have decompression software installed on your system so you are able to unzip the downloaded package.
#PLURALEYES 4 TROUBLESHOOTING ZIP#
Decompression/Extraction software All files are available using Zip compression in. Red Giant also offer great tutorials for PluralEyes and the other products in their Shooter Suite.Download Help 1. I give it a huge thumbs up! It’s definitely worth the price. I didn’t even touch some of the more advanced functionality of the product. PluralEyes really helped me to turn this project around quickly.
#PLURALEYES 4 TROUBLESHOOTING 1080P#
I did some digital push ins as I was using 4K footage on a 1080p timeline. All I had to do from there was to add my titling, decide on the timing for cuts between cameras, and other normal editing functions.
#PLURALEYES 4 TROUBLESHOOTING PRO#
As long as Final Cut Pro X is open, PluralEyes 4 can create an FCPX Event, copy the media to the event and create the project from the exported timeline with everything already lined up. I do my work primarily in Final Cut Pro X, so after clicking the “Export Timeline…” button, I selected Final Cut Pro X from the drop down menu then selected my options. Once the media is synchronized you’re ready to export the timeline to your NLE of choice. In this case, it was very basic, but it still performed that task much more quickly than the FCPX built-in clip synchronization process, and it allows for fine adjustments and much greater control over the process should you need it. Once the media files are in place, clicking on the prominent “Synchronize” button quickly analyzed and synchronized the media files. In my case I dragged them one at a time, but you can drag several together. I dragged each of the video files and the audio file into the project window. The blank project window opens waiting for media to synchronize. After the very easy installation of the PluralEyes software, I opened the application. I copied the files from each of the devices to my computer (as always). I started and stopped each device separately. The audio recorder was set to 48kHz/24-bit stereo. I had not explicitly set the frame rate on the iPad AIR (I still haven’t determined whether or not it is adjustable), but it was shot at 24 fps. The video from the Sony camera was shot at 4K and 29.97 fps. It is very powerful and flexible, yet it is amazingly simple to use. Although I hadn’t heard the expression in awhile, I have to say that PluralEyes 4 is elegantly simple.
#PLURALEYES 4 TROUBLESHOOTING TRIAL#
I downloaded the trial of PluralEyes 4 to give it a try. I had a current project where I used my Sony 4K camera as a primary, my iPad AIR as a secondary, and my Zoom H4n for audio on the shoots.
My friend and colleague (and Production Expert group founder), Russ Hughes, had told me about his experience with the new version of PluralEyes, he has previously reviewed an earlier version of PluralEyes for this blog. I have found that the built-in clip synchronization in Final Cut Pro X has generally met my needs.
My typical workflow for the video that I produce is to record the video on either my Canon DSLR or my Sony video camera and record the audio to a separate field recorder. I remember seeing an early version of PluralEyes several years ago, and it impressed me as it was the first tool that I had seen that would allow easy synchronization of footage from multiple video cameras or separate audio and video recordings without time code. PluralEyes 4 from Red Giant is a really cool and powerful tool.
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